Writing for television means you get multiple episodes to explore a mood or trait. But now you need your legs to lead you to great characters. In Y ou’re The Worst, we delve into the deep annuls of a relationship. In Mad Men, we navigate the entire decade of the 1960s and see a man sink into his own depression. In Breaking Bad, meth sales go from casual to kingpin. Instead of a crime a week or some sort of recurring action, those shows take characters and let them sink deeper into the world. Okay, but what if you’re doing something directed more toward cable, like Breaking Bad, Mad Men, or You’re The Worst? Those ideas have legs but in different ways. The characters in Friends and Sex and the City are all dealing with…situations each week. The cops in those shows are constantly dealing with a problem of the week. Think about shows like Criminal Minds and Law and Order. If your TV show is a procedural, you’ll want the characters to inhabit a world where problems can constantly arise. If your idea has legs, you should be able to plan out the entire first season and where it would go from there. Those shows were built around characters with a lot of problems, who lived in worlds where a lot of stuff was happening. Think about The Office, or Lost, Grey’s Anatomy, or Big Bang Theory. Think about your favorite shows: did they last for a while? Sure, we all have examples like Pushing Daisies that were gone too soon, but it feels more likely that your favorite show lasted a long time. An idea with “legs” means that it could run for a long time. When you’re writing a TV show, you need to have characters and storylines that can go on for multiple episodes and multiple seasons. Why do you leave those loops open? So that you can show you have a story with legs.Īn idea with “legs” means that it could run for a long time.ĭon’t know what “an idea with legs” means? Don’t worry, we got you covered. In a TV pilot, you need to close some loops, but leave others open. In a movie, you would theoretically close these loops at the end of the story. When you’re writing a TV show, you need to create a bunch of problems your characters have to deal with every day. It’s also a great exercise in closing some loops while leaving others open. A great TV pilot script will help you get your foot in the door, can get your reps, and can even get you staffed on a TV show. In truth, the best way to break in now is with an excellent TV pilot. Lots of writers move to Los Angeles in search of feature jobs, but Hollywood is making fewer amounts of movies every year. A great TV pilot script will help you get your foot in the door, can get your reps, and can even get you staffed on a TV show.Ī great TV pilot script will help you get your foot in the door, can get your reps, and can even get you staffed on a TV show. They should help you get you well on your way to writing a great TV pilot script. To learn how to write a TV pilot, you can read a ton of pilot scripts, and peruse the following steps. How can you get staffed on a TV show or get your own idea on the air? You’ll have to learn how to write a TV pilot. We’re in the golden era of television right now and there are more and more shows on the air every year.
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